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国王与国家

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国王与国家》剧情简介

ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.

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  • 5
    笑笑
    (打分:4分
    2024-06-11
    剧中的演员表现得非常自然,让人很容易就能融入到剧情中。
  • 4
    应腽
    (打分:4分
    2024-06-11
    Barry Justice,James Hunter,Larry Taylor,Vivian Matalon,巴里·福斯特,彼得·科普利,德克·博加德,基思·巴克利 ,杰瑞米·斯宾塞,莱奥·麦凯恩,汤姆·康特奈,詹姆斯·维利尔斯 的角色充满神秘感,她的演技令人着迷。
  • 3
    爸爸
    (打分:5分
    2024-06-11
    这部电影的主题音乐充满了悲壮和力量感,与剧情紧密结合,给人留下深刻的印象。
  • 2
    六小麦
    (打分:4分
    2024-06-11
    国王与国家是一部充满创意和惊喜的战争片,让人过足了眼瘾。
  • 1
    月财神
    (打分:5分
    2024-06-11
    这部电影通过战争片元素传递了积极向上的价值观,Barry Justice,James Hunter,Larry Taylor,Vivian Matalon,巴里·福斯特,彼得·科普利,德克·博加德,基思·巴克利 ,杰瑞米·斯宾塞,莱奥·麦凯恩,汤姆·康特奈,詹姆斯·维利尔斯的默契演绎令人难忘,是一部感人又欢乐的佳作。
相关问答

1、问:《国王与国家》什么时候上映时间?
答:这部影片的上映时间是 2024-06-07 20:20:01

2、问:《国王与国家》英国 在哪个电视台播出?
答:《国王与国家》目前只有网上如:爱奇艺、腾讯、优酷、78影院网等播出、没有在电视台播。

3、问:《国王与国家》演员表
答:《国王与国家》是由 约瑟夫·罗西 执导,Barry Justice,James Hunter,Larry Taylor,Vivian Matalon,巴里·福斯特,彼得·科普利,德克·博加德,基思·巴克利 ,杰瑞米·斯宾塞,莱奥·麦凯恩,汤姆·康特奈,詹姆斯·维利尔斯 领衔主演的剧情、战争。该剧于2024-06-07 在腾讯、爱奇艺、优酷、78影院网等平台同步播出。

4、问:哪个平台可以免费看《国王与国家》全集
答:免vip在线观看地址: https://www.78fenlei.com/video/uyiy.html

5、问:手机版免费在线点播《国王与国家》有哪些网站?
答:百度视频、78影院网

6、问:《国王与国家》评价怎么样?
豆瓣电影网友:《国王与国家》是一部充满情感和思考的香港剧,香港,令人难以忘怀。约瑟夫·罗西导演创造了一个扣人心弦的剧情,剧情片 ,让观众始终处于紧张状态。Barry Justice,James Hunter,Larry Taylor,Vivian Matalon,巴里·福斯特,彼得·科普利,德克·博加德,基思·巴克利 ,杰瑞米·斯宾塞,莱奥·麦凯恩,汤姆·康特奈,詹姆斯·维利尔斯的对决让人热血沸腾,电影中的剧情、战争精彩纷呈。音乐的运用恰到好处,为电影增添了史诗般的氛围和战争的紧张感,令人心潮澎湃。这部电影通过细腻的剧情和真实的情感,揭示了人性的复杂和无奈。

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